Boulevard 63L

Entry 330th – Prologue [Before the Act]

“…he died in loving arms of friend at twilight.”
“His death came early in sunset, early at night and much early in life.”
“Paintings of Sunflowers, the Starry Night and Portraits from the past were surrounding him.”
“Not many knew of his last day, just as many didn’t know who he really was.”
“Uncle Cent stood near the door with Madame Claire.”
“Mr. Roso from the Night Café brought him the sunflowers he loved.”
“And just three more who loved him not for his emerging worth, but for who he was, for the way he was, for how humane he was.”
“On the 29th of July, van Gogh died.”
“He lived and he left.”
“And we shall do the same.”

“The Sadness Will Last Forever – La Tristesse Durera Toujours”

“Thank you.”

I turn off the microphone.

I hear no applause.

No sound.

Just the silent crowd bundled in a bunch.

Well, after all, this isn’t the end of the story. Death is just the beginning, isn’t it? Life must go on for those left behind.

‘But this is boring,’ I think to myself.

‘Not just the silent crowd, but the situation I have gotten myself into: is boring.’

‘What made these people, the crowd to gather here today?’

‘Is it the death of my friend?’

“Now, I will read the last page. This is an epilogue separate from the main content of the book. It is dedicated to the protagonist on a personal level as a friend,” I begin the final act.

Rosario follows: “after this, we are moving on with the program as planned: A ‘Q and A’ session which will be the last one on our list tonight.”

‘Finally, just a few more minutes, hopefully I’ll be at ease from all these.’

I give my throat a couple good clear before reading.

“Page 330, Epilogue.”

‘This one is for you,’ I think in silence.

“At nights, at most lonely nights, when I was secluded in my constitutions, he used to visit me abrupt and say: “Hey, fancy drinking tonight? Didn’t you say you wanted to try the Absinthe?”

I would find him hanging on to the door knob before my respond: “Sure, why not.”

Then I would add a smile at the end as I get up from the chair and followed: “But I can’t join you on the Absinthe. You know hard liquor never does me any good,” I used to tell him each night.

I wanted to try the Absinthe but never had the guts for it. I wanted to but never did it. I’ve always wanted to do something out of myself but never did it… not just the Absinthe, but my life itself.

That was me.

‘Someone who never gave the world the meaning of me…’

Imitation of many things was who I was.

I felt that I never fully lived life to my heart’s desire nor never listened to its telling. I was the kind to say, ‘No, but thank you,’ before the speaker has finished her sentence.

I was an introvert by nature; an extrovert by effort. I never courageously outdid something of my life to achieve that purest one thing. That one thing was the purest of my desired that I wanted to do every day before today. Like, singing in front of people or finally seeing that end of the trail or riding on a bus to the end of stations and spend the day wandering around the city I live for no reason at all; or finally eating that Putine from Montreal and that Smoked-Meat sandwich at Swartz or that backpacking plan with Vince… I’ve always fantasized writing a book about my life, or owning a bar or a café where everything will be my rule and the purest of my effort. I never fully lived my life nor understood what I was to do with it.

Not until I lived with him.

Years went by while my hands didn’t reach out to those begotten dreams.

That was me; a spectator to my own decaying future.

After two decades with Vince I finally realize.

His courage I greatly admire affirmed under any pressure. His cravings in life excelled in appetite much greater than I hoped to grasp. His certainty in living for the dreams he had was far beyond my devotions paid to life. I chased him pretentious to learn a day of his as a greater change in mine…

And now that you have left this world, you will be forever missed.

I won’t be saddened.

Instead, I will live my life as you said to me on the last evening.

“Live. Live your life. Life is not a system, you can’t beat it. Destroying it is you in the end result. So joy! And indulge in it!” he said to me on the last day.

No word, no sentence and no greatest book will ever suffice your story.

This book is dedicated to the biggest passionate fool in history.”

In memory of Vince,

and for our times,

(together with Dora and Cat)


I close the cover and turn off the microphone. I tried best not to show but as I suspected, it felt emotional reading the last page. My heart pounds and throat’s cloaked. I am speechless for the moment.

“Let’s have the Q and A session now, anyone?” Rosario sitting beside begins the Q and A. She’s my agent.

“What can you tell us about the authenticity of your story?”
“Why is it called Boulevard 63L?”
“You said the book is real, is it true?”
“What can you tell us about your relationship with Mr. van Gogh?”
“What is the credibility of your book?”
“Can you tell us more us Mr. van Gogh you haven’t mentioned in the book?”

The crowd, mainly domestic reporters, in living room begins to pour out the question they meant to ask: “Is the book real?”

My throat has deserted. I drink some water from the plastic bottle set near me.

“It’s all true.”
“There’s not a scant of honesty in my book.”
“It is real.”
“It’s about life of a man written close in Existentialism interpretation.”

I didn’t want to be here tonight but Rosario had me convinced. It’s better to do it at least once if the book sells hefty.

“The story is real and the characters are real. Though the protagonist has killed himself in the process of… pursuing his dream: that part of him called ‘the passion.’”

“So it is true that he killed himself?”
“Was it a suicide?”
“What can you tell us about his suicide?”

The crowd begins oozing out the question they held in since entering the room: ‘Did van Gogh kill himself?’ It’s fascinating how the death of a friend shall be their business. I understand how this works: they don’t want the truth. Nobody shows patience for the boring truth. They want the fascination; what’s fascinating to their eyes – something to wow the crowd and make profit out of it – stories filled with nothing but short-lived intrigues. These are the crowd of crows. If they beg to differ, then I beg to differ that Vince wouldn’t have killed himself.

“Was he not a religious man?”
“Wasn’t he aware of the sins committing a suicide?”
“Did he forfeit his faith after he failed as a missionary?”
“Did he really kill himself?”

I take a fat breath in and breathe it out:

“Yes, and yes and yes but no.”
“He was a religious man, and a man of flourishing gigs. In fact, he was more religious than anyone in this room; a true believer of good faith; a follower of doctrines; a practitioner of good deeds…”
“He was most knowledgeable in the Bible than anyone around me.”
“Still, even, now.”

So he knew what he was doing? Is that what you are saying?”

‘You wretched blood sucker,’ I yell inside.

“Young man, are you religious?”


“Do you ever doubt yourself?”


“Do you ever doubt yourself?”


“Then why wouldn’t others? You know the answer.”

“Vince – as I have addressed him throughout our lives together – he knew the direction in life far more concise than anyone, had the appetite for life more than anyone, and savored the love and the pain far more dearly than anyone in this room.”
“And yes, that includes me, and you.”

I ignore the questions and carry on: “He had the guts to say no to things as we, as morsel bits of society, couldn’t afford to for petty reasons; because, we might be loathed by someone or be blamed as the consequence of our premature decision.”
“And he, had the wills to say yes to strangers who asked for help. I seriously think it’s far more demanding to do it than speak of it.”
“Are we not even afraid to shake hands with strangers these days?”
“Are we not pitiful hoping that a poor wouldn’t ask for a lending hand?”
“But, Vince… he wasn’t…”
‘It feels stupid having to talk about a friend to such length.’
“He wasn’t just a kind man; he had the purest heart.”
“It wasn’t his guts telling him to sit down with a homeless and share the bread, tell him that he was shameful for not having more. It wasn’t the guts he had.”
“It was just… natural for him, to share, to help and believe in fate.”
“That’s more of a man than anyone I know.”
“His heart was just… too fragile at times; too easily broken and vulnerable against those he let inside it.”

I notice I have given too much of passion the crowd couldn’t handle in my response.

“Let’s move on to the next question,” Rosario handles the transition.

A youthful one raises his hand looking to be noticed.

“Yes, young man.”

“What can you tell us about his love life? You didn’t really write about that side of story in the book.”

“You are right. I didn’t.”

“Can you tell us the reason you omitted his love life?”

“I never write love story. I barely can keep track of my own.”

“Hahaha,” the cheerful crowd thinks it’s funny. They squeeze out some laughter in unison.

I didn’t mean it to be funny. I learned from Vince that there are two things a person have that can bet with life: first is what makes a person smile; second is what makes the heart – beat.

Vince and I were at a beach, sitting on dry sand at English Bay. It was just like any other days, with our backs against dry log, just sitting there; talking… thinking… and breathing… Time took its second brushing past us… and we didn’t care a scant.

He fancied the peace from the scenery and I liked the waves that sound made. Yes, the waves that sound made… The waves gave us what we missed living in the city: to be home, at Bouville.

Along the moments of being there, we said anything that came to our minds. Like anything meager and at times more profound than the life itself:

“When the dawn breaks…”
“…the sun flames… night in his heart…”
“…without a worry, heart chases the memory,”
“…like a horse running for his freedom…”
“…like the morning snow… memories banish…”
“…until the dawn breaks anew…”
“…the sun keeps burning… himself…”

Then I took a moment of quiet.

“That’s a fine say, who wrote it?” Vince asked.

“Goethe… but I improvised, but I think I shouldn’t have. It sounds stupid coming from me,” I told him.

“That’s a nonsense; and it’s a one that drink to,” then he indulged Absinthe on the beach.
“You may just have what it takes to be a writer, lest a poet, to be precise,”
“Think about it,” said Vince admiring the work of nature in the sky.

He used to paint the sceneries there at Sunset. It was a fine sight.

He found it: ‘almost too good to be true.’

As we spent many more days there on dry sand, I wrote poems and what has become the parts of the published book.

And I agree – English Bay still has the best sunset in town.

“I want you to remember this, Ro. Smile and love more, for therein lies a great strength to do many things.”
“And there are two things one can bet with life: first is what makes a person smile; second is what makes a person’s heart beat. Without either one, our lives would be in vain; a complete blasphemy where one is never fulfilled in his ideal. Even God can’t cure the gap in such a bleeding life,” he said to me glowing in sunset.


Almond Blossom – 1890

© 2017 D.

7 thoughts on “Boulevard 63L

  1. In case you were following the previous work on the book, this is the newly revised one. Both a sorry and thanks for those followed. Really appreciate it!


  2. Oh, what a relief that you wrote the word “Continued” (that means there will be more, right? I believe that you have ate, slept and dreamed of Vincent while writing these words and it shows in a lovely way!


  3. Pingback: 1883 – March, The Hague – GLOGH

How did you like it?

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s